Showing posts with label police procedural. Show all posts
Showing posts with label police procedural. Show all posts

November 3, 2013

The Wrong Body

I apologize for misnumbering some of the previous novels. Dead Water is the eighth not the ninth novel in Barbara Hambly’s Benjamin January series.

In Dead and Buried, the ninth novel in the series, Hambly inserts a disclaimer of sorts at the end of the book: “It is not the purpose of this novel to explore the origins and ramifications—political, social, and psychological—of race-based chattel slavery in the United States, nor the entangled and tragic system of prejudice and laws that made up the one-drop rule….” Though she doesn’t explore the origins of the rule, she certainly explores the social ramifications it had on individuals and families, and, as a good storyteller should, does so in an entertaining way. To say more about the theme of Dead and Buried might spoil your enjoyment, so I will not discuss the theme, except to say that Hambly handles it very well.

The attendants at the funeral of Rameses Ramilles, a fellow musician of Benjamin January’s, are horrified when the pall bearers drop the coffin and out falls the body of a white man. Hannibal Sefton, another fellow musician, recognizes the dead man as Patrick Derryhick, a friend from his youthful, carefree days in England.

Benjamin helps arrange a party to search for Ramilles’s body because the police will not search the swamp for "A black man's corpse, particularly after a week or two in the river….” Seeing how the body of his friend upset Hannibal and wanting to know how Ramilles’s body was removed from the coffin and replaced with Derryhick’s body, Benjamin, with approval of police investigator Lieutenant Abishag Shaw of the New Orleans City Guards, helps with the investigation.  

It doesn’t take long for them to learn that Derryhick was with a party of Englishmen who came to New Orleans so the youngest, Germinus Stuart, the 12th Viscount Foxford, could pursue the French Creole beauty, Isobel Deschamps, whom he had met in Paris. The other two members of the party are his uncle Diogenes and the business manager of the Stuart estate, Caius Droudge.

The plot turns on the romance between the young lovers, Isobel and Germinus, and involves labyrinthine family secrets of both. They met in Paris while Isobel was visiting relatives and Germinus was vacationing. Something happened that caused Isobel to flee Paris and return to New Orleans. Soon after her return, she leaves the city for Natchitoches Parish.

After items belonging to Derryhick are found in his hotel room, Germinus is arrested and charged with the murder. He refuses to admit he knows Isobel and to say where he was when Derryhick was killed. For Benjamin, the answer to Germinus’s silence lies upriver in Natchitoches Parish, in the St. John Chapel in Cloutieville. So, once again we follow him into danger of being captured and sold into slavery as he travels without either of his safety valves, Hannibal or Shaw. He is sure that what he finds will also provide the motive for the murder of Derryhick, which will lead to the murderer.

In the subplot, Benjamin suspects Martin Quennell, brother of the funeral direct, of embezzling money from the Faurbourg Treme Free Colored Militia and Burial Society of which Benjamin is a board member and Martin the bookkeeper. Martin also may have information about a quarrel between Derryhick and another man before Derryhick was murdered. But before Hannibal can get the information out of him, Martin is killed.

No Benjamin January novel would be complete without Ben’s Catholic belief coming up against his skepticism. He often relies on folk characters to ease his fears. So it is with "Compair Lapin" or Brer Rabbit, the trickster whom he calls upon when he wants to escape danger from white planters or thugs.


Hambly hits two discordant notes in this otherwise neatly plotted mystery. In the funeral scene, Hambly tells us nothing about Pere Eugenius, the only other white man present, and doesn’t mention him again.

The ingenious method the villain uses to replace Ramilles’s body with Derryhick’s stretches plausibility but the novel is still exciting.

To readers who follow my blog: thank you.








November 3, 2012

All Things Revealed


I chose the novel All Things Hidden (2004) by JudyCandis because of the title, which is from 1 Corinthians 4:5, and I was prepared to reject it because of the Biblical reference. At the same time, I wondered how a religious theme would play out in a police procedural novel. I’m not antireligious, but when I sense a religious motif in a crime novel, I cringe because I feel I’m about to be preached at. Is it possible to write a such a novel without seeming to preach. Maybe, but Candis has failed to do so.

Candis introduces the motif of Christian faith in the opening scene. The protagonist enters a crack house where body has been found and has a moment of panic despite her faith in God:
God had not given her the spirit of fear. Jael knew this like she knew there were sixty-six books in the Bible. She knew this like she knew the exact hour and second that she accepted Christ as her Lord and Savior. More important, she knew this like she knew God's Word was eternal and true. Yet the pounding of her heart was so rapid, so pro­found, it threatened to burst through her rib cage.
Jael Reynolds, the only Black female in the police department of Dadesville, Florida, is the lead detective in the investigation of the killings of three drug dealers. It appears dealers are being target, and she speculates that it might be a war among them. She also speculates that it might be a serial killer or a Black vigilante taking the law into his own hands. Her investigation puts her and her son in jeopardy as she gets closer to discovering the killer and the diabolical motive.

All Things Hidden is a novel Christians may well enjoy because of the motif of a woman of faith who, with the help of God, defeats the forces of evil. To make sure the point of the novel is not missed, the narrator reminds the reader that Jael is "in the clutches of a serious spiritual battle. Warfare at the highest level." She is named after the warrior woman who helped “the Israelites in battle by nailing their enemy king’s head to the ground” (Book of Judges, 4:17-23).

All Things Hidden reminded me of the story of Job, who never wavered in his faith. Jael is put through many trials and at times wonders if God hears her prayers. After a while, the repetition of her internal battle with her faith, altering between feelings of doubt and confirmation, becomes tedious and at times slows the action. The novel reads like a book on how to write a novel: put the heroine in one dangerous situation after another.

All Things Hidden didn’t encourage me to read Candis’s other three novels, but if you, dear reader, enjoy stories with religious themes, then you might enjoy Colorblind (1998), Still Rage (2001), and Blood Offering (2002).