Fever Season, the
second novel in Barbara Hambly’s Benjamin January series, is about slavery,
murder, robbery, and kidnapping. The title refers to Bronze John, as the yellow
fever is called, and his cousin cholera who invade New Orleans every summer,
moving like ghost through the city, permeating every household, every street,
attacking slaves and masters.
Though Bronze John's hand touched everyone, white, black, and colored,
it was mostly the whites who died of it and, of them, more often the whites
who'd flocked into New Orleans from the United States--the rest of the United States, January Corrected himself--or from
Europe.
Slavery, too, is a disease that affects
both slave and master, but often has a more deleterious effect on the masters,
causing them to think of fellow human beings as animals and sometimes to be
treat worse than animals.
When Bronze John comes calling most of the
rich white folks with their slaves leave the city. Benjamin January, amateur detective
and free man of color, wouldn’t leave even if he could. He remains and helps
care for the victims of the fever at the Charity Hospital, comforting the
living and helping carry away the dead. He again finds himself in trouble when
he agrees to delivery a message from Cora,
a slave woman, to her husband Gervase,
a slave in the house of a Creole
woman, Delphine Lalaurie, whose two daughters Benjamin gives piano lessons.
Benjamin soon discovers that Cora is
considered a runaway and wanted by the law. She is accused of killing her
master Otis Redfern, trying to kill his wife Emily, and stealing a string of
pearls and $5000. Before he can confront her to get the real story, for he
feels something is wrong, she disappears. Even Rose Vitrac, a free woman of
color who runs a school for girls and knew Cora when she was a girl of 13, has
not seen her. However, Cora left $190.00 and a string of pearls that belonged
to Emily in a bag in a desk in Rose’s school. To complicate matters further for
Benjamin, Rose, whom he is growing fond of, also disappears.
Slaves whose masters allow them to work and
sleep in the city to earn money to buy their freedom and some free persons of
color with no connection to anyone are also disappearing. From the boatman
Natchez Jim who carries people and goods up and down the river, Benjamin confirms
his suspicions that someone is kidnapping slaves and blacks who have no one to
ask about them. Natchez Jim tells him, “A runaway is money out of someone’s
pocket. And maybe money in someone
else’s as well.” The people being kidnapped are sold to owners of cotton
plantations in the Missouri Territory. Benjamin is thrown into deep depression
and fears for Cora and Rose.
When trouble comes to Benjamin, it comes in
bunches. A jack-legged doctor named Emil Barnard whom he caught stealing from
the dead victims of the fever accuses him of killing a man who was stabbed in a
fight and whom Benjamin tried to help by stopping the bleeding. Barnard doesn’t
stop harassing him after the judge throws the case out. He plants stories in
the newspapers accusing Benjamin of murder and of insulting to her face a very
important lady (white of course). The result is Benjamin loses his piano
pupils, and the agent who assigns music jobs limits him to the lesser balls and
doesn’t hire him, the best piano player in New Orleans, to perform at the
opera. Benjamin suspects someone with strong connections in the Creole and
American communities that go all the way to city hall has a grudge against him
and Barnard is just a pawn.
To maintain the suspense in Fever
Season Hambly withholds the answers to three questions:
Who killed Otis Redfern and tried to poison
Emily Redfern?
Where are Cora and Rose?
Who is Benjamin’s enemy?
The answers are indeed surprising.
The four women who drive the main and
subplots are a complicated mixture that kept me wondering what would they do
next. The issue of slavery is depicted through Cora. Emily Redfern represents
the Americans desire for social acceptance in the Creole culture. Delphine
Lalaurie, the Creole woman, is the most powerful character in the novel next to
Benjamin. Rose Vitrac, free woman of color, shows that not all mulattos become
mistresses. Finally, there is the legendary Voodoo Queen Marie Laveau.
Fever Season continues
the enjoyable storytelling that Hambly began in A Free Man of Color.
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